Free Training — The Studio Edge Vol 3B
Before You Buy a Drum Kit, You Need to Understand What You're Buying.
Most people spend serious money on drums without knowing why one kit sounds different from another. This free training changes that — in 2.5 hours, you'll know exactly what to look for, what to listen for, and how to get more out of any kit you own.
I've spent 40 years engineering sound in commercial studios — working with CBS, Netflix, Alicia Keys, and Spotify. I hold a Bachelor's degree in Electrical Engineering from the University of Arizona. Projects I have worked on have been nominated for a Grammy. I've been featured in Mix Magazine and Pro Sound News.
I am also a drummer. I've recorded and performed with Marc Storace (Krokus), Barry Sparks (Yngwie Malmsteen, Michael Schenker), Ted Nugent, Billy Gibbons (ZZ Top), Les Dudek (Steve Miller), Pat Travers, Frank Marino, and Rudy Sarzo (Ozzy, Whitesnake). Which means I understand drums from both sides of the glass — not just as the engineer trying to capture them, but as the player who has spent a lifetime behind the kit.
In 2010 I created The Studio Edge — a professional recording curriculum built the way an engineer actually thinks. Not tips and tricks. Not gear worship. A real foundation.
Nothing else covers this material at this depth.
You're in good company
Jim Pavett nails it man! The man knows his drums and is obviously quite a respected engineer here in the southwest. I will watch this again and again because Jim details everything you need to know about real drums and how to capture them in a recording. I am going out tomorrow and buy new heads and cymbals for my studio kit — I love the wood, but it wasn't until I watched this that I understood the relationships between drum shell and skin. -Blund69
WHAT YOU'LL GET IN THE FREE TRAINING:
The drummer who sat behind his own kit for years and never knew why it sounded the way it did — and what changed when he finally understood
Your kit has a sound built into it by decisions made before you ever sat behind it — and most drummers pick a kit the way most people pick a car — by how it looks
What happens when you stop compensating — when the heads are right, the tuning is right, and the setup is right, the playing opens up
When you sound better, you play better. When you play better, your band plays better. That's not just in the studio — that's on stage every night.
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Mix Magazine
Pro Sound News
CBS
Netflix
The Terminal List
Grammy-Nominated
B.S. in Electrical Engineering, University of Arizona