Free Training — The Studio Edge Vol 3

Drums Are The Hardest Instrument To Record. And Almost Nobody

In The Room Knows Why.

The problem isn't your microphones. It isn't your room. It's that the recorded drum sound is decided before a single mic goes up — and most engineers never start at the beginning.

I've spent 40 years engineering sound in commercial studios — working with CBS, Netflix, Alicia Keys, and Spotify. I hold a Bachelor's degree in Electrical Engineering from the University of Arizona. Projects I have worked on have been nominated for a Grammy. I've been featured in Mix Magazine and Pro Sound News. And I've been teaching recording since 2010.

I am also a drummer. I've recorded and performed with Marc Storace (Krokus), Barry Sparks (Yngwie Malmsteen, Michael Schenker), Ted Nugent, Billy Gibbons (ZZ Top), Les Dudek (Steve Miller), Pat Travers, Frank Marino, and Rudy Sarzo (Ozzy, Whitesnake). Which means I understand drums from both sides of the glass — not just as the engineer trying to capture them, but as the player who has spent a lifetime behind the kit.

In 2010 I created The Studio Edge — a professional recording curriculum built the way an engineer actually thinks. Not tips and tricks. Not gear worship. A real foundation.

Nothing else covers this material at this depth.

You're in good company

Jim Pavett nails it man! The man knows his drums and is obviously quite a respected engineer here in the southwest. I will watch this again and again because Jim details everything you need to know about real drums and how to capture them in a recording. I am going out tomorrow and buy new heads and cymbals for my studio kit — I love the wood, but it wasn't until I watched this that I understood the relationships between drum shell and skin. -Blund69

WHAT YOU'LL GET IN THE FREE TRAINING:

  • The session where a drummer sat behind his own kit and heard it for the first time — and why that moment is the entire point of this course

  • Why the recorded drum sound is decided before a single microphone goes up — and most engineers start the process halfway through

  • Three people in every drum session — drummer, engineer, studio owner — and why understanding all three changes everything

  • When you sound better, you play better. When you play better, your band plays better. That's not just in the studio — that's on stage every night.

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Grammy-Nominated | B.S. in Electrical Engineering, University of Arizona