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GUARANTEE BLOCK

30-Day Money Back Guarantee

Go through all three volumes. If you don't feel you got real value from them, hit reply to any email from us and I'll refund your purchase personally. No questions asked. No forms. No hoops.

I've been engineering commercially for 40 years. I'm not worried about the guarantee.— Jim Pavett

PAYMENT OPTIONS $697 TODAY

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or three monthly payments of $259

Same full access from the first payment.

Nothing is locked, nothing drips.

You get all 246 chapters the moment you enrol.

TESTIMONIALS

"A great course with precise and complete information on almost everything you need to know to start a career in the audio world." — Brock

"This class has contained the most amount of information on a topic of any course I have completed so far. So many of these lessons contain solid fundamentals of being a music producer or engineer." — Ren

Do I get everything right away?
Yes. All three volumes unlock the moment you enrol, including on the payment plan. Nothing is gated or released on a schedule.

What about Volume 3B?
It isn't in the bundle, because everything in it is already inside Volume 3. I'm not going to charge you twice for the same chapters.

GET INSTANT ACCESS

The Complete Curriculum

All Three Volumes

$697

WHAT'S INCLUDED:

  • Volume 1 — Studio Concepts, Gear & the Physics of Sound
    92 chapters · 3.6 hours · $269 separately
    The foundation everything else stands on. Physics of sound, signal flow, gain structure, microphone theory, digital audio, and how to read a spec sheet like an engineer instead of a shopper.

  • Volume 2 — Building a Recording Studio, Acoustics & Gear
    74 chapters · 5.75 hours · $359 separately
    Planning, acoustics, gear selection, and construction — including a complete studio build on camera and a full acoustic analysis with a world-renowned acoustician.

  • Volume 3 — Drums: Anatomy, Preparation & Miking Technique
    80 chapters · 4.6 hours · $296 separately
    What the kit is doing before a microphone ever goes up — shell, bearing edge, heads, tuning — and the technique that captures it. Recorded and performed by someone who has played on albums with Marc Storace of Krokus, Pat Travers, Ted Nugent and Billy Gibbons.